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Update June 2010: The Archaeology Series and Computer
Collages are now being represented by the "Tappan
Z Gallery" in Tarrytown, NY.
After nearly 3 years of zero creativity, I'm making a new series of
art quilts called Archaeology. I've designed silk screens, ordered rubber
stamps and paints, and cut out stencils. The screens are maps, hand writing,
puzzle pieces, mazes, spirals, circuit boards, sailboat blueprints, sheet
music, mathematical and chemical equations. |
Archaeology 11: Roots 45.5"x35.25" © 4/2010 CLV "Tappan Z Gallery" Tarrytown, NY |
I view Archaeology 11: Roots as symbolic of my life and my interests. It is my personal cultural lineage. I call the series Archaeology because the viewer has to look carefully between the layers and the obscuring of the quilting to discern what the images are. The imagery is diverse and layered as life experiences are laid one upon another. As the images are built up on the cloth, changes occur to how the shapes relate to one another. A single image that may represent a moment in time is mutated by the images that are layered upon it. As life goes on, the past affects the present which influences thoughts
of the future. There is an evolution in thinking and a change in what
becomes more important over time. |
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Detail of Archaeology 11: Roots Notice that the silkscreened and stamped images overlap each other as I build up my designs. The quilting in some cases shadows the shapes and in other cases obscures the images.When looking at the piece, you don't notice the quilting, because I used gray thread. It blends into the background. The reason I am still quilting my work is that I like the textural undulations. It gives a slight rippled effect to the artwork. That way the overall work is not just a piece of printed fabric, but a finished piece of art. |
Archaeology 14: On My Mind 11.5"x9.5" © 5/2010 CLV |
When I sent Archaeology 11: Roots to two of my art critics, they both
said I should re-make the detail shot of the brain as its own quilt. So
I did.
Because it's so small, I'm thinking of framing it up in a black shadow box like Archaeology 1 through 8 are done. |
Archaeology 20: Gray Matter 35"x29.5" © 6/2010 CLV |
One of my art critics recomended that I scale the brain up quite large
as a third quilt. So I did by creating a 28"x24" freezer paper
stencil of the brain.
Now they want me to go even bigger! I'll have to get Kinko's involved to blow up my original computer drawing. I'll also have to work out the logistics of printing that large on my kitchen table. I'll have to put in 2 more leaves and print the bottom half and then the top half. But first I have to find appropriate fabric. Joann's of course is out of the charcoal gray linen with the interesting weave texture. I'm planning on entering Gray Matters into Art Ability at the Brym Mawr Rehabilition Hospital that specializes in brain injuries. Wish me luck! |
Archaeology 19: Brain Chemistry 32"x24.5" © 6/2010 CLV |
Here's my first piece working with raw silk. It seems to soften the imagery
a bit. Those little squiggles are the chemical equations of dopamine,
serotonin, and other brain chemicals. I'm also planning on entering Brain Chemistry into Art Ability at the Brym Mawr Rehabilition Hospital that specializes in brain injuries. I have to June 28th to get my entries in. |
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If you're keeping track of my numbering system for the Archaeology series, you may be wondering were Archaeology 10: Shades of Gray and Archaeology 12: Scroll are. Well, I'm planning on entering them in Quilt National '11 that has strict rules about not publishing the images before the opening of the show. So I'm not jinxing my luck by posting them on my website, blog, or Facebook. Archaeology 10: Shades of Gray currently hangs over my fireplace and is my favorite piece to date with Brain Chemistry being a close second. Archaeology 12: Scroll is similar to White Scroll, only much whiter (no dark gray images) and much bigger at 120"h x 12"w. I still have to work out how to make the scrolling occur. Peter's got some ideas using dowels and I'm thinking of using fabric strips that I could tie. I made these two new ones so I could experiment with the various methods without working on my QN "11 entry until I'm sure of what I'm doing. Both White Scroll and Black Scroll are at the "Tappan Z Gallery", Tarrytown, NY |
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6/6/10 - today I printed Black Sheath and White Sheath that are both 84"x12" for my Art Ability entry.
They are similar to Black Scroll and White Scroll. I'm hoping they'll be very popular as narrow vertical pieces.
Tarrytown, NY |
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is my entry into the SAQA Auction. |
The 4"x6" Archaeologies are mounted in a black shadow box. |
![]() Archaeology 1 - 4"x6" © 1/2010 CLV "Tappan Z Gallery" Tarrytown, NY |
![]() Archaeology 3 - 6"x4" © 1/2010 CLV "Tappan Z Gallery" Tarrytown, NY |
![]() Archaeology 4 - 4"x6" © 1/2010 CLV in the Fiber Revolution Art Concentrated Collection |
![]() Archaeology 5 - 4"x6" © 1/2010 CLV |
![]() Archaeology 6 - 4"x6" © 1/2010 CLV |
![]() Archaeology 7 - 4"x6" © 1/2010 CLV "Tappan Z Gallery" Tarrytown, NY |
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Keyboard Lockup Series |
System Overload Series System Overload V. 1.1 |
Fried Circuits Series Fried Circuits V. 1.3 14"h x 13"w x 1.5"d Terminal Eyestrain Terminal Eyestrain V. 1.1 |
Techno Jam Series
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Mixed Media Series |
Cyber Chick |
![]() Botswana Quilt - 30" x 30" © 2008 CLV Is the only quilt I made in 2008, but it's exhibited in South Africa, Botswana, and J&J Corporate in NJ. |
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![]() Maurice River 12"h x 14"w after framing © 2006 CLV |
![]() Morea Beach Huts 14.75"h x 18.5 "w after framing © 2006 CLV |
![]() Venice Clothesline 22"h x 22"w after framing © 2006 CLV |
![]() Taormina Pathway 12"h x 12"w before framing © 2006 CLV |
Monarch 1 11.5"h x 9.5"w after framing © 2006 CLV |
![]() Peach Rose 19"h x 16"w after framing © 2006 CLV |
![]() "A Quilted Painting A Day" |
Dani Marc 10"h x 12"w |
![]() Emma the Tulip Fairy Princess 9.75"h x 8"w |
![]() Spray Beach Birds 21"h x 11"w |
![]() Update: 3/9/06 See photos from the second segment of the world cruise. Crystal Serenity 2006 "A World of Color: Art, Craft, and Quilt Project" 9 feet high x 12 feet wide |
Update 1/3/06: Crystal Serenity 2005 World Cruise Quilt 5 feet high x 11 feet wide |
Moon Dancers 17.5"h x 14"w
Moon Dancing 17.5"h x 14"w |
![]() Gardens of the World 70"h x 48"w |
![]() Crescent Moon over Siesta Key 70"h x 6"w |
![]() Koi Among Water Lilies 23"h x 23"w |
Underwater Odyssey 48"h x 36"w |
Hall's Hobies 20"h x 24"w |
Breezy Day 16"h x 16"w |
Moon Dance 22"h x 10"w |
![]() Half Mast at Anchor II 14.5"h x 11.5"w |
![]() Motmot 21"h x 21"w |
Valentine Bouquet 25"h x 12"w Stolen! |
![]() Lone Calf at Sunset 7"h x 5"w |
![]() Home from Honolulu 14"h x 13"w |
![]() All God's Creatures Celebrate Christmas 38"h x 30"w |
![]() Window on New England 37"h x 31.5"w |
Butchart Gardens 31"h x 36"w |
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![]() Blue Moon over Garden Bay 39"h x 57"w |
![]() Nana Sue's Garden 29"h x 36"w |
![]() Forget Me Not: The Yellow Rose of Texas 11"h x 11"w |
![]() Bright and Breezy 5"x5"
Blue Horizon 16"h x 16"w
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Beach Day 5"x5" ![]() Crashing Waves 5"x5" Chatsworth Lake 16"h x 18"w |
![]() Half Mast at Anchor 14.5"h x 11.5"w
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Sankaty by Sankaty 3"h x 5"w
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